



All photos - Rob Gardiner. More.
"Enteractive" in Los Angeles. The lights on the side of the building correspond with lights on the sidewalk below and as people move and interact on the sidewalk, the wall of the building lights up.
City National Plaza, L.A. This one didn't get completed as the client decided not to continue with it. Too bad.
Urban Nomad Shelter, L.A. This was the first I saw of Electroland and was immediately intrigued. The shelters are inflatable which McNall and Seeley see as both a "social and humanitarian act." The wide distribution of the bright cocoons was hoped to foster a "dialog about the invisibility and marginalization of the homeless." On the humanitarian side, the shelters provide portable and inexpensive ways to protect against weather and other hardships the homeless face.
These are the only images I was able to get due to a savvy website design...check out Electroland's website for more projects.
The one that started it all...
Shepard Fairey. Los Angeles based street artist. He got together with publicist Yosi Sergant, who suggested he pitch something to Obama and, after a few calls, got the go-ahead Fairey was waiting for. He had two weeks before Super Sunday and set out pulling his piece together...starting with a googled news photo. Progress was the word on Fairey's first posters but hope and change are among many variations. It's become a pop culture icon...and it's politics! Could the American people be getting smarter...or, counterpoint...is this some form of carefully chosen, glamourized propaganda? Either way, it's a great time to be alive and it's been said a thousand times but...This is History. Another Shepard Fairey piece for his Duality of Humanism exhibit in San Francisco.
Another take by Mac
Morning Breath. A lot of Obama art took on this really 'retro' kind of feel, resembling feel-good advertising in the 50's.
Up in Canada we didn't see this poster for Upper Playground by The Date Farmers but it played a big part in the success of The Obama Machine. A conversation about how "silly it was that Obama wasn't getting the Latino vote"...ergo...Cambio.
Acrylic. Phil Fung.
"Hussein (Handsome One)" Ian Simmons. I love this because in the mixed media class I had one of my "texture studies" was made by getting everyone in the bar one Wednesday night to sign an 8" by 8" piece of paper. Since then I've been using words as 'mark-making'.
Hope (You Complete the Picture) Trey Speegle
Josh Holland. and Shannon Bonatakis.
A version of the Abe-Obama image. San Francisco
Cut acrylic paint, Zane Lewis..
...but I digress!
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This was my final project for the "mixed media" class I had last semester. I've fallen out of love with it a bit because I see it all the time now, but I still think it's pretty neat.
Also, I miss this time dearly. It was a wonderful week in a wonderful city.
(Lollapalooza 2008 - Grant Park, Chicago)